Space is a fundamental element of design, ever-present in the outdoor world through vast skies, endless horizons, and distant treelines. In our own landscapes, how we manipulate space can dramatically enhance a garden or patio on a human scale. It all comes down to perception — recognizing dominant two- or three-dimensional forms and the surrounding voids that frame them.
This phenomenon, known as "figure-ground ambiguity," allows the eye to alternately perceive the positive figure and the negative ground as its silhouette. Together, they create a pattern all their own. This interplay can be expressed literally through symmetrical black-and-white tile patterns, or figuratively through a pleasing balance of solid and amorphous elements in the landscape.
Arthur Dyson Architects demonstrate the power of orientation in this stunning living room. When the doors open, the entire universe becomes part of the space. The home is positioned to capture a breathtaking sunset view, with the large crescent-shaped clerestory window reading as a positive-negative pattern against the built environment.
Griffin Enright Architects employ a similar strategy in this bedroom, where lush canyon views and architectural tree frameworks define positive-negative space. The bedroom walls and transom windows serve as static foreground shapes, while nature beyond shifts with the seasons.
R.J. Gurley Construction presents a desert patio where stone pillars echo bold tree trunks and cacti. The curved pool intersects the patio, its distinct edge suggesting an almost yin-yang pattern. Depending on the time of day and sun position, the pool alternates between positive and negative form.
John Maniscalco Architecture offers a simple, serene window framing a private world. The solid volume of the soaking tub balances the natural drama outdoors, creating one cohesive, compelling scene.
Stelle Lomont Rouhani Architects create a distinct positive-negative pattern on this oceanfront property. The home commands the horizon, yet the long grass-and-crushed-rock driveway reads with equal boldness. A continuous border of ornamental grasses mediates the tension between architecture and driveway.
Windsor Companies showcase two multitrunked shade trees gaining prominence through thoughtful bluestone patio placement. Typically patios read as dominant forms, but here the patio becomes a theatrical stage with the trees as star performers — harmonious and balanced.
In a compact auto court, environmental concept demonstrates how outlining one shape creates another. A 2-inch ground cover grid around pavers illustrates the positive-negative pattern, while a Cecile Brunner climbing rose trained around arched garage doors creates another attractive form.
A veranda checkerboard becomes a functional walkway and work of art. Bold squares in proportion to the architecture ensure nothing feels tiny or insignificant — a favorite design theme executed successfully.
Dick Clark + Associates align a courtyard pool with a breezeway to frame rugged desert trees, drawing attention to the vast sky. Negative spaces — sky, trees, distant hills — carry equal weight to positive ones — home, pool, breezeway.
Timothy Lee Landscape Design uses a curved arbor over a garden gate as the positive form in a side garden, balanced by solid stepping stones leading deeper into the softly planted environment.
Deborah Cerbone Associates, Inc. showcase a formal knot garden where dark green boxwood X-shapes and silvery white contrasting elements play with positive-negative perception. Which is figure and which is ground? Both are needed to complete the design.
LDa Architecture & Interiors demonstrate how glossy black exterior trim emphasizes beautiful millwork and an oval window, dramatically altering the home's appearance. The positive-negative shapes of architecture create a similar effect.
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