Garden design wasn't taught at the influential Bauhaus school founded by Walter Gropius in 1919, but the Bauhaus concept of Gesamtkunstwerk—bringing art, craft, and technology into one complete work—later found its way into houses and landscapes. Today we see expressions of these concepts in gardens as integrated living systems between house and garden, combined with functional design without decoration.
The Arts and Crafts movement influenced Bauhaus with its value of quality craftsmanship and materials, though its strong decoration was rejected. Early Bauhaus gardens were built by modernist architects, not gardeners; Gropius designed only one garden, at England's Dartington Hall in the 1930s. Modernist houses of the 1920s-30s used geometric shapes with form following function. Gardens began mirroring house design as part of overall site design, becoming more than decorative surroundings.
Bauhaus students learned beauty lies in economy of form and material use. This design links building and garden materials—wood siding matches garden decking; concrete patio echoes board-formed concrete on the house.
This doesn't mean avoiding plants. Here, planting is carefully chosen to enhance overall design without being overly decorative—functional, economical, and low-maintenance.
This house and garden exemplify Gesamtkunstwerk—the garden is integral to the building's overall design, inseparable from it. Formal planting within geometrically shaped raised beds prevents softening or blurring of the design.
Ultimate integration: seamless indoor-outdoor link, embracing new technology and materials for a seamless connection—beloved by Bauhaus followers.
Bauhaus ideals work well in smaller spaces. Here, rationality, functionality, and simplified forms create a modernist courtyard garden.
Functional design is a Bauhaus keystone used widely today. Instead of purely decorative hardscaping and plant selection, garden features work for their keep while being visually satisfying.
Beauty lies in careful selection of two materials—concrete and wood—creating a simple design not diluted by strong planting behind. Each piece has individual use but together create a complete design. The barbecue and dining set are clean and functional, not ornamental. The concrete wall adds an industrial feel.
These features follow Bauhaus preference for industrially produced yet aesthetically pleasing products.
Even in hardwood decking, we see Bauhaus influence: decking and wire fencing fulfill purpose without extraneous decoration—simple, economical, form follows function.
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